Imagine yourself on the shores of a sea that should not exist in one of the harshest deserts in North America. Imagine a region of promise facing unmitigated environmental disaster. Imagine yourself on a beach made of bones.
This project uses photography, sound, and mixed media to transport the viewer to the Salton Sea and its surrounding communities of Bombay Beach and Slab City. The communities exist within a conceptual blank space in inland California. In this corner of the Mojave Desert, Individuals have gravitated to this space over time, booming and busting in regular intervals. It has been known for brief moments to the outside world, as a tourist destination, has occasionally been featured in films like ‘Into the Wild’, or brought to prominence when people flood into Coachella for the music festival. It has been called ‘the last free place in America’. However, today it is an apocalyptic wasteland. The place brings to mind images of time forgot and the Mad Max wastelands of the distant future.
Land ownership is tenuous and often nonexistent. Traditional structures of power fall apart. Rules are decided communally and often the traditional source of law and order is absent. One is simply allowed to be. Absence is often the defining feature of the desert and here it comes in full force through the landscape and governmental authority and services. However, what may at first feel empty is truly full. By turning absence on its head and looking at what is present we can begin to have an insider’s view of the region, the people presented, and their alternative community. This laissez-faire modality of living is under threat and we must ask what does it mean for these people and this place when these metaphors of absence break down or cease to exist?
related works
Six short films exploring work and the relationship of Sambla people of Burkina Faso with their environment. Shot and edited in the field, they are conceived as audiovisual essays on the interplay of human-produced sounds and modifications of the environment.
A photo essay that explores the lives of crofters on the Isle of Harris, located in the Outer Hebrides of Scotland. It examines the intricate relationships between crofters and their sheep, highlighting how these bonds have been shaped by the crofters’ experiences in sheep farming.
This film is a lyrical meditation that takes the audience to the Outer Hebrides of Scotland, immersing them in the sphere of life for three young adults who have grown up on the Isles of Uist. Through focusing on the stories and everyday mundane activities experienced by each protagonist it aims to provide a new way of understanding and experiencing island life.
Using photography, soundscape recording, and photo elicitation interviews, this work aims to represent the relationships that people of the Lammas Ecovillage in West Wales are creating with the environment, buildings, animals, market and people around them as they optimistically build an ecological way of being in response to the socio-material conditions of climate change.
A collaborative project exploring the heard world of one farming family whose organic holding is now encircled by an international airport in Narita, Japan. The project went on to become a CD-book, a touring film and a gallery installation.
Seven short stories about objects and lifeworlds among the cow herding Samburu people of Northern Kenya. My original intention had been no explore the biographical nature of Samburu bodily adornment, but there was a twist: this region had been suffering a long drought and it did not feel appropriate to make a film about beads while people were just trying to survive.

