Beekeeping in the United Kingdom is experiencing increasingly difficult seasons. Apis – Latin for bee – is a short film which delves into how these relationships are changing due to the impending climate crisis. By examining these relationships through multispecies ethnography, I piece together the stories of three British beekeepers and examines the unique bonds each beekeeper has with their bee colonies. The film lightly covers climate change regarding the June gap, how the beekeepers would feel if they weren’t able to beekeep anymore, and the effects capitalism has had on beekeeping. However, the film is not a standard documentary or ethnographic film. It has traditional documentary voiceover atop macro images of bees and artful yet strange scenes of a TV in a field and beehives burning. Step into the strange sensorial world of Apis to experience documentary through an expressionist lens.
related works
An ethnographic film that follows a group of city lawyers on a recreational hunting trip to a small village in the West of Russia. It explores issues of class, (toxic) masculinity and man’s complex relationship with nature. It outlines a rare instance of male sociality that — while potentially problematic from an ethical standpoint — allows for a temporary transcendence of socio-economic and political divisions present in contemporary Russia.
Using photography, soundscape recording, and photo elicitation interviews, this work aims to represent the relationships that people of the Lammas Ecovillage in West Wales are creating with the environment, buildings, animals, market and people around them as they optimistically build an ecological way of being in response to the socio-material conditions of climate change.
On the slopes of the Spanish Pyrenees, the construction of the Itoiz Dam in the 1990s flooded seven villages. A line of raw rock encircles the contained green water, marking the landscape with a scar that recalls the still acute injury of the residents displaced 592 metres higher up.
This film is a lyrical meditation that takes the audience to the Outer Hebrides of Scotland, immersing them in the sphere of life for three young adults who have grown up on the Isles of Uist. Through focusing on the stories and everyday mundane activities experienced by each protagonist it aims to provide a new way of understanding and experiencing island life.
Six short films exploring work and the relationship of Sambla people of Burkina Faso with their environment. Shot and edited in the field, they are conceived as audiovisual essays on the interplay of human-produced sounds and modifications of the environment.
This project uses photography, sound, and mixed media to transport the viewer to the Salton Sea and its surrounding communities of Bombay Beach and Slab City. The communities exist within a conceptual blank space in inland California. In this corner of the Mojave Desert, Individuals have gravitated to this space over time, booming and busting in regular intervals. It has been known for brief moments to the outside world, as a tourist destination, has occasionally been featured in films like ‘Into the Wild’, or brought to prominence when people flood into Coachella for the music festival.
Sebastian and Pastora live in a Shuar village in the Upper Amazonia of Ecuador. Sebastian is not only a respected healer, but also a medicinal botanist who experiments with unknown plants he encounters in the forest. His unique practice seeks to cultivate new knowledge, reconnecting him with his ancestors. Pastora is one of the rare female leaders in Amazonia, who struggles to negotiate with local authorities for her community.
Seven short stories about objects and lifeworlds among the cow herding Samburu people of Northern Kenya. My original intention had been no explore the biographical nature of Samburu bodily adornment, but there was a twist: this region had been suffering a long drought and it did not feel appropriate to make a film about beads while people were just trying to survive.
A photo essay that explores the lives of crofters on the Isle of Harris, located in the Outer Hebrides of Scotland. It examines the intricate relationships between crofters and their sheep, highlighting how these bonds have been shaped by the crofters’ experiences in sheep farming.
This film consists in an exploration of the high alpine region of Robiei, southern Switzerland. Conceived as a sensory piece, the film particularly focuses on the existing relationships between the humans, animals, infrastructural and natural elements that compose Robiei’s specific landscape.
A collaborative project exploring the heard world of one farming family whose organic holding is now encircled by an international airport in Narita, Japan. The project went on to become a CD-book, a touring film and a gallery installation.

