Natural Born Hunters is an ethnographic film that follows a group of city lawyers on a recreational hunting trip to a small village in the West of Russia. The film begins at their ultimate destination — a place called Nizy, where a few locals manage a vast area of hunting grounds. The difference between the environments of rural Nizy and urban St Petersburg (where the lawyers come from) is striking. It appears to only be matched by the difference in the lifestyles of the people that populate the two places. Viewers are invited to reflect on these differences (or lack thereof) by witnessing the hunting trip through the eyes of the filmmaker.
By immersing itself in the activity of hunting, Natural Born Hunters explores issues of class, (toxic) masculinity and man’s complex relationship with nature. It outlines a rare instance of male sociality that — while potentially problematic from an ethical standpoint — allows for a temporary transcendence of socio-economic and political divisions present in contemporary Russia. Last but not least, the film invites audiences to reflect on the very processes of looking and “shooting”, which are as central to the activity of hunting as they are to the wider project of ethnographic filmmaking.
related works
A collaborative project exploring the heard world of one farming family whose organic holding is now encircled by an international airport in Narita, Japan. The project went on to become a CD-book, a touring film and a gallery installation.
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This film is a lyrical meditation that takes the audience to the Outer Hebrides of Scotland, immersing them in the sphere of life for three young adults who have grown up on the Isles of Uist. Through focusing on the stories and everyday mundane activities experienced by each protagonist it aims to provide a new way of understanding and experiencing island life.
Six short films exploring work and the relationship of Sambla people of Burkina Faso with their environment. Shot and edited in the field, they are conceived as audiovisual essays on the interplay of human-produced sounds and modifications of the environment.
On the slopes of the Spanish Pyrenees, the construction of the Itoiz Dam in the 1990s flooded seven villages. A line of raw rock encircles the contained green water, marking the landscape with a scar that recalls the still acute injury of the residents displaced 592 metres higher up.
Sebastian and Pastora live in a Shuar village in the Upper Amazonia of Ecuador. Sebastian is not only a respected healer, but also a medicinal botanist who experiments with unknown plants he encounters in the forest. His unique practice seeks to cultivate new knowledge, reconnecting him with his ancestors. Pastora is one of the rare female leaders in Amazonia, who struggles to negotiate with local authorities for her community.
A photo essay that explores the lives of crofters on the Isle of Harris, located in the Outer Hebrides of Scotland. It examines the intricate relationships between crofters and their sheep, highlighting how these bonds have been shaped by the crofters’ experiences in sheep farming.
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Using photography, soundscape recording, and photo elicitation interviews, this work aims to represent the relationships that people of the Lammas Ecovillage in West Wales are creating with the environment, buildings, animals, market and people around them as they optimistically build an ecological way of being in response to the socio-material conditions of climate change.
Seven short stories about objects and lifeworlds among the cow herding Samburu people of Northern Kenya. My original intention had been no explore the biographical nature of Samburu bodily adornment, but there was a twist: this region had been suffering a long drought and it did not feel appropriate to make a film about beads while people were just trying to survive.
Beekeeping in the United Kingdom is experiencing increasingly difficult seasons. Apis – Latin for bee – is a short film which delves into how these relationships are changing due to the impending climate crisis.

