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Part of my research on hunting in Burkina Faso was necessarily centred on the relationship of the people with whom I lived with their environment. I found myself to understand the importance of agriculture, the fundamental source of subsistence for most Sambla villagers in the area. I also tried to understand the relative positions of village and bush, domesticated and wild areas. Rituals like the women’s saansègè and the men’s tèen annually break and re-affirm the boundaries between the two worlds with collective fishing and hunting expeditions. I present here a series of short films shot and edited in the field, conceived as audiovisual essays on the interplay of human-produced sounds and modifications of the environment. Most of what follows was shot in and around Karangasso Sambla, the village where I spent most of my year of fieldwork.
related works
Air Pressure
A collaborative project exploring the heard world of one farming family whose organic holding is now encircled by an international airport in Narita, Japan. The project went on to become a CD-book, a touring film and a gallery installation.
Sound, Video
Staff
2011
Heritage, Herd, Horizon
A photo essay that explores the lives of crofters on the Isle of Harris, located in the Outer Hebrides of Scotland. It examines the intricate relationships between crofters and their sheep, highlighting how these bonds have been shaped by the crofters’ experiences in sheep farming.
Photography
MA
2025
Where the Beach is Made of Bones
This project uses photography, sound, and mixed media to transport the viewer to the Salton Sea and its surrounding communities of Bombay Beach and Slab City. The communities exist within a conceptual blank space in inland California. In this corner of the Mojave Desert, Individuals have gravitated to this space over time, booming and busting in regular intervals. It has been known for brief moments to the outside world, as a tourist destination, has occasionally been featured in films like ‘Into the Wild’, or brought to prominence when people flood into Coachella for the music festival.
Photography, Sound
MA
2016
The Rhythm of Uist
This film is a lyrical meditation that takes the audience to the Outer Hebrides of Scotland, immersing them in the sphere of life for three young adults who have grown up on the Isles of Uist. Through focusing on the stories and everyday mundane activities experienced by each protagonist it aims to provide a new way of understanding and experiencing island life.
Video
MA
2021
Living for living
Using photography, soundscape recording, and photo elicitation interviews, this work aims to represent the relationships that people of the Lammas Ecovillage in West Wales are creating with the environment, buildings, animals, market and people around them as they optimistically build an ecological way of being in response to the socio-material conditions of climate change.
Photography
MA
2014
After The Rains Came
Seven short stories about objects and lifeworlds among the cow herding Samburu people of Northern Kenya. My original intention had been no explore the biographical nature of Samburu bodily adornment, but there was a twist: this region had been suffering a long drought and it did not feel appropriate to make a film about beads while people were just trying to survive.
Video
MA
2006