The MA in Visual Anthropology has been central in shaping my theoretical, methodological and practical work as an anthropologist.Sarah Pink - MA Visual Anthropology 1989-90 - Professor of Media and Communication, RMIT University
I really appreciate how you've given us not only the building blocks, but also the theoretical grounding to be good visual anthropologists.Karlia Campbell - MA Visual Anthropology 2009-10, EDF pathway - Visual Anthropologist at VIA Pictures
The MA is possibly the most fun bit of education I have ever done. Aside from learning the basics of hands-on film-making, it is a very different way of doing anthropology.Gavin Searle - MA Visual Anthropology 1993-94 - BAFTA award winning documentary director
It was provocative and challenging to work out how I could use filmmaking as an analytical tool to shape, not just reflect, my research process.Alyssa Grossman - PhD Social Anthropology with Visual Media 2004-10 - Postdoctoral Research Fellow, University of Gothenburg
The MAVA was one of the most inspiring educational and creative experiences of my life. Aside from making deep friendships, I grew tremendously during this period.Jana Carrey - MA Visual Anthropology 2006-07, EDSEM Pathway - Freelance documentary photographer
I was very satisfied with how fast I progressed with my filming skills, since when I started, I did not even know how to switch on a video camera!Andre Cicalo - PhD Social Anthropology with Visual Media, 2005-10 - Marie Curie IOF Research Fellow, King's College London
My experience in Manchester made possible an old dream: to incorporate a new language – the audiovisual – in the anthropological discourse.Sylvia Caiuby Novaes - Postdoctorate 1993-95 - Professor of Anthropology at the Universidade de São Paulo
Here is what makes the Granada Centre the best place for visual anthropology
For over 30 years, the Granada Centre for Visual Anthropology has been widely recognised as the world’s leading centre for Visual Anthropology. Its graduates have produced more than 500 ethnographic documentary films seen around the world and it is now at the forefront of the emergent dialogue between art and anthropology, including sensory ethnography, experimental and practice-based methods, sound, photographic and digital media, and art/museum installations.
Our MA and PhD programmes combine anthropology with training in film-making, editing, photography and sound. Students are provided with professional equipment and supported by an internationally renowned staff comprising the largest visual anthropology faculty in Europe. We welcome students from across the social sciences and humanities and the course is tailored to meet the needs of different levels of anthropological and film-making experience.
Manchester is a creative, energetic and cosmopolitan city noted for its music scene, media links and industrial past. An advantage of studying in Manchester is the cheap cost of living and accommodation in that rents are approximately half the cost of London. Our facilities include camera and sound kits for each student, dedicated editing suites with Mac Studio computers, and a screening room with 5.1 surround sound and 4K cinema projector.
He who never fails, never risks anything. What is the most interesting thing in life? Very probably to run risks. That for me is our profession.Jean Rouch 1967
Updates, events and work in progress from our students and staffView All →
This interdisciplinary PhD project invites applicants to explore the inner lifeworlds of individuals living with Motor Neurone Disease through innovative ethnographic, participatory, and co-creative methods.
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We’re happy to announce that our MA visual anthropology cohort from 2024-2025 will be presenting their graduation works on the 17th and 18th of October. Everyone’s invited to watch their films and to visit their exhibitions and installations. Venue:Samuel Alexander…
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The course is addressed to beginners who want to learn the technicalities of camera use, editing and sound recording, applied to the specific perspective of ethnographic documentary and visual anthropology. Over the course of two weeks, you will learn how to shoot, make and edit films...
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Congratulations to Professor Andrew Irving (GCVA), Dr Michael Atkins (aka Cheddar Gorgeous, GCVA MAVA 2007, PhD 2015) and Professor Steve Pettifer (Computer Science) on their Wellcome Discovery Award, which will establish the world’s first ethnographic and participatory investigation into the…
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Our visual anthropology cohort from 2023-2024 will be presenting their graduation works on 25 and 26 October. The event will include film screenings in blocks of three followed by a brief Q&A, alongside installations and exhibitions. Venue: Ascension Church Hulme282…
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It is with great sadness that we announce the death of David Turton, one of the founding figures of the Granada Centre. David died in London on 9 December 2023, unexpectedly, whilst undergoing an operation to repair a broken hip.…
Read more →We're happy to host a lecture by @pinkydigital on 24 May: "The Edge and the Future: and Doing Social Science Forward". Free and open to all, please book here: eventbrite.com/e/sarah-pink-t… with @UoMAnthropology
The Teaching and Technical Staff involved in running the courses at the Granada Centre
GCVA Director
My regional specialism is Japan: I conducted fieldwork in the Kansai area, Kyushu, Tokyo and Okinawa. Some of my research interests include Zen art, art practice as ethnographic research, visual and sensory studies, the political ecology of military systems, soundscape studies and sound art practice.
Director of MA in Visual Anthropology
I am a digital and visual anthropologist, with thematic areas in intergenerational mobilities, work and gender. I have conducted extensive fieldwork in Trinidad, Nepal, Australia and Cambodia and my current research focuses on the Everest tourism industry and includes a photographic study of development, environmental and social change.
Professor of Anthropology
My regional specialisations are Kampala, Uganda and New York, USA. I do research on experiences of illness, death and dying (especially from HIV/AIDS), in relation to the aesthetic appreciation of time, existence, and otherness; I am also interested in phenomenology, art, performance and creativity, time, comparisons of personhood, religious change, gender and urban experiences.
Senior Lecturer in Visual Anthropology
My area of studies ranges from indigenous politics, through transnational migration to postcoloniality (Brazil, Portugal). The research project I’m currently developing, Emerging Urban Convivialities, brings together my previous work with middle-class migration and a recent interest in processes of neo-liberal urban renewal and gentrification.
Lecturer in Visual Anthropology
My research interests include hunting, perception, the senses, visual anthropology, sound, phenomenology and embodiment. I worked on donso hunters in Burkina Faso, West Africa, looking at their relationship with a changing environment and embodied knowledge. I make documentary films, photography and sound recordings.
Senior Lecturer in Visual Anthropology
I am a visual anthropologist and an artist who is interested in creatively bringing those two fields together. I have done research in the Himalayas, the south Pacific, and with First Nations in the US around issues of media use and visual sovereignty, senses of place, and the potential for visual anthropology to address ecological concerns. I have published widely on anthropology and contemporary art and focus on encouraging anthropologists to explore a really wide range of experimental and collaborative practices.
I am a short fiction writer/director focusing on comedy and horror. I have been a first assistant director for several BBC and BFI funded shorts and a BBC New Creatives & BFI Creative Producer Lab participant. I have 10 years’ experience working in film & AV support, education & learning content creation, and film skill sessions.
Horror VHS Collector. Board Game player.
Falmouth Worm Charming Championship 2024 participant.
Was once bitten by a monkey.
